The work of Eduardo Sarabia is known for the staging and documentation of
partly fabricated and mythical narratives, and its usage of subculture
imagery, hand-made crafts and complex situations. Born in East L.A. of
Mexican descent, he has been in close contact with plenty of experiences
associated with drug smuggling, confusing explanations of facts and contact
with the use of different means like songs, objects, tattoos, just to name a
few, that narrate histories in the making, negotiations of meaning.