Gold Dolt

Gold Dolt

Farnoosh Fathi reads a poem she wrote in response to the artwork, "Untitled 1 (Peacock with Missiles)," 2010 by Adeela Suleman. This work is in the exhibition "Phantoms of Asia: Contemporary Awakens the Past" (on view at the Asian Art Museum from May 18-September 2, 2012). For more information: http://www.asianart.org/phantoms/ This presentation was part of MATCHA: Phantoms Arise! For more information: http://www.asianart.org/matcha/pastevents.htm#m2012 Co-presented with Litquake.

Howie Tsui on Mount Abundance and the Tiptoe People #1 and #2

Howie Tsui on Mount Abundance and the Tiptoe People #1 and #2

Born in Hong Kong and raised in Nigeria and Ontario, Howie Tsui’s influences include ghost stories, Buddhist hell scrolls, Japanese monster culture, and Hong Kong vampire films. As part of his Horror Fables series, Tsui contributes to "Phantoms of Asia: Contemporary Awakens the Past" (on view at the Asian Art Museum from May 18-September 2, 2012) intricately drawn human-monster hybrids that combine imagery from traditional Asian folklore with contemporary pop culture.

Sitting for Vuillard

Sitting for Vuillard

Madame Claude Dalsace, née Bloch, recalls what it was like to sit for the artist Edouard Vuillard as a child (interview, 2012).

Edouard Vuillard: A Painter and His Muses, 1890-1940
The Jewish Museum, New York
May 4 - September 23, 2012
http://www.thejewishmuseum.org/exhibitions/vuillard

The Snowy Day and the Art of Ezra Jack Keats

The Snowy Day and the Art of Ezra Jack Keats

Emily Casden, curatorial assistant at The Jewish Museum, tours the exhibition The Snowy Day and the Art of Ezra Jack Keats.

The Snowy Day and the Art of Ezra Jack Keats
The Jewish Museum, New York
September 9, 2011 - January 29, 2012
http://www.thejewishmuseum.org/exhibitions/the-snowy-day-and-keats-exhib...

Heman Chong on "Phantoms of Asia" and Science Fiction

Heman Chong on "Phantoms of Asia" and Science Fiction

Heman Chong imagines a future of dystopian stillness with "Calendars (2020--2096)," an installation of 1001 photos, each a calendar page capturing a moment of complete emptiness in today's bustling areas of Singapore. View this work for yourself at the Asian Art Museum during the exhibition, "Phantoms of Asia: Contemporary Awakens the Past" (on view from May 18-September 2, 2012). For more information: http://www.asianart.org/phantoms

Tang Museum: Nancy Grossman: Tough Life Diary

Tang Museum: Nancy Grossman: Tough Life Diary

Nearly 50 years after her first solo exhibition in New York City Nancy Grossman’s work is as powerful and relevant today as it was when it was first created. The video Nancy Grossman: Tough Life Diary was created to bring the artist’s voice directly to the viewer, opening up new ways of understanding a body of complex and sometimes difficult work. It complements the exhibition of the same name currently on view at the Tang Teaching Museum and Art Gallery at Skidmore College.

LaToya Ruby Frazier Makes Moving Pictures

LaToya Ruby Frazier Makes Moving Pictures

What makes a documentary radical? In this film, artist LaToya Ruby Frazier reveals the personal story behind a series of videos and photographs of her family in Braddock, Pennsylvania, a selection of which were exhibited in "Video Studio: Changing Same" at the Studio Museum in Harlem. Employing and upending documentary traditions as a means to disrupt media stereotypes, Frazier collaborates with her mother and grandmother as fellow artists, giving them agency in depictions of themselves, their family, and the broader community.

Artist Zhang Chun Hong at National Portrait Gallery

Artist Zhang Chun Hong at National Portrait Gallery

Artist Zhang Chun Hong discusses her work in "Asian American Portraits of Encounter." The exhibition is on view from August 12, 2011 to October 14, 2012. http://npg.si.edu/exhibit/encounter

Through the groundbreaking work of seven talented artists from across the country and around the world, "Asian American Portraits of Encounter" offers provocative renditions of the Asian American experience. Their portraits of encounter offer representations against and beyond the stereotypes that have long obscured the complexity of being Asian in America.