Conservation Science

Showing 1 - 15 of 36
How was this made? | On the Flip Side: Secrets on the Backs of Paintings
Indianapolis Museum of Art
Views: 560
Science in an Art Museum, Part 4: The Results
Indianapolis Museum of Art
Views: 1328
Science in an Art Museum, Part 3: The Analysis
Indianapolis Museum of Art
Views: 1336
Science in an Art Museum, Part 2: The Question
Indianapolis Museum of Art
Views: 1275
Science in an Art Museum, Part 1: The Science
Indianapolis Museum of Art
Views: 1441
A novel macro-scanner imaging system for collection of hyperspectral X-ray fluorescence (XRF) and visible to near infrared reflectance image cubes of paintings
Smithsonian American Art Museum
Views: 1428
What are our true detection limits? The use of historically representative paint media to evaluate the sensitivity of XRF analysis
Smithsonian American Art Museum
Views: 1130
A new portable X-Ray spectrometer designed for XRF analysis in cultural heritage applications
Smithsonian American Art Museum
Views: 1121
Materials and Meanings: analyzing Kazimir Malevich's Painterly realism of a Football Player
Smithsonian American Art Museum
Views: 1541
pXRF and IR Fluorescence Imaging Studies of CdS Alteration in Paintings by Edvard Munch and Henri Matisse in Oslo and Copenhagen
Smithsonian American Art Museum
Views: 969
CSI Aachen: Unraveling the history of two fifteenth century Spanish panels using forensic methodologies
Smithsonian American Art Museum
Views: 975
Painted on parchment: technical study of a 13th century illuminated Psalter
Smithsonian American Art Museum
Views: 984
In situ non-invasive studies of paintings: the example of the European mobile laboratory MOLAB
Smithsonian American Art Museum
Views: 944
Use of portable, non-invasive instrumentation for the study of the wall paintings in the tomb of Tutankhamen
Smithsonian American Art Museum
Views: 894
Advances in the In Situ Analysis of 19th Century Paintings using Fluorescence Lifetime Imaging
Smithsonian American Art Museum
Views: 934

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