A short documentary on the role art collector Caroline Fesler played in the building of the Indianapolis Museum of Art's collection in the 1930's and 40's. This IMA produced film shows how an exemplary eye for art and a strong will can create lasting legacy.
I do believe she loved music just as much as she loved art. We sat on 18th century furniture
listening to superb sound while looking at the great paintings of her collection.
I think Indianapolis should be very proud to be able to claim Caroline Marmon Fesler. She was born in 1878. Her family had long roots in the area.
She graduated from Smith College in 1900 and then immersed herself in the arts of Paris. In fact, she writes
back to her family in 1904, "I'd like to have two lives and work one out with painting and one with music, but that I can't have for the asking,"
and it's certainly to the benefit of Indianapolis that Caroline Fesler was so committed to those two arts.
[Music]
I always felt close to the museum, the old Art Museum, that is, the one downtown on 16th street,
so I got the idea that the museum was a great place to go to and oh, it didn't take long to realize that Mrs. Fesler was a part of that.
These pictures play important roles in exhibitions all over the world, and they enable us to build around them.
So, she really, in the forties, was building the bones of a great collection and that framework is still very much intact today.
[Music]
I think one of the things that is so fascinating about Mrs. Fesler as a connoisseur is that she had such a keen eye
and her taste has stood the test of time.
She was a close friend of Booth Tarkington, a Hoosier author, one of our best known and when Aunt Caroline bought Contemporary Art,
Booth Tarkington didn't like Contemporary Art. He only wanted old masters and there were two Braque's and one of them she was going to present
and did to the Fine Arts Acceptance Committee and Booth Tarkington sent her this note, "I would not eat a cock-eyed fish, I wouldn't even try one,
but a cock-eyed fish on a purple dish, I'd rather eat than buy one." She bought it and it's here.
[Music]
I felt lucky that Mrs. Fesler did live into her eighties because that made time for her to take in Anne and my generation and sort of guide us on our way.
I felt on a par with her, we thought alike, we didn't need to talk, we knew what we thought, it was a remarkable friendship.
She was always, I think, the first lady of the arts in our town, how fortunate we were to have her.
Thank goodness for private collectors who support the arts and contribute to art museums! The world is a richer place and art is more accessible to everyone because of them.
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