Channels: Contemporary ArtCuba
IMA Staff visit Cuba with artist William Rasdell in preparation for the Star Studio Exhibition, 'African Roots in Cuban Soil.' Museum staff interview the talented Rumba singer, Amada Izquierdo Bonora in Havana, Cuba.
Well, my name is Amada Izquierdo. Amada Izquierdo Bonora. I am an Afro-Cuban singer. I have been a Rumba singer for a long time.
I began singing the Rumba, and have a soft spot for the Rumba. I have been a singer for eight years,
as an artist, and for me... Black music is what we in the Rumba call Jazz, which is also a black sound.
And it is also Rumba. It is what I prefer. I am inclined to it, and aside from favoring it,
it is something I do everyday with the love and respect
for its origins and for Cuban music and traditions.
I jumped directly into folklore. Folklore is something special for me
because I have experienced it as a singer. I have experienced it also
as an initiated priestess in the Afro-Cuban religion
and as such, I feel very much in tune or rooted in the Rumba.
With this genre that is very much my own because it belongs,as we say, to us the black people.
For a long time this art form was not accepted, but, incidentally, our artist Salvador Gonzales has dedicated himself to preserving its origins
and this root will never be lost, and will remain within this project- within Cuba.
It will always be part of anyone who feels or is Black, even partially.
And, we all have some black in us because we have ancestors. We all have ancestors and we all feel these origins
no matter where you live. We all have some black in us even if we are white.
And I call on our culture and on everyone, who feels and loves music,
no matter where you come from and how, to start a cultural exchange between countries.
It does not matter which countries, in order to introduce and promote this music,
so that this music becomes, also, part of our peace and tranquility.
Because culture is peace. Music is love.
Yes, I want to add something else and not necessarily as news,
but as something very important as an artist, as a woman,
and as a human being:
If one day this exchange of music and culture is not accepted by someone, anyone,
then this person has no feelings. The most beautiful thing in the world is to listen and truly feel the sound
of a drum, or a guitar playing the Trova or the Rumba. It's about love and tenderness.
About life itself. Love for your mother. Love for the land. For everything.
For music. For everything. You feel it because of the music itself. And, as a singer, I repeat,
I call on those who love music to always defend it.
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