Julianne Swartz: Terrain Trailer

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Julianne Swartz: In the Factory
0:00:04
Check out an interview with Julianne Swartz where she goes into detail about the making of Terrain.

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Director's Journal: A Julianne Swartz Installation
0:00:21
Maxwell Anderson interviews artist Julianne Swartz and curator Sarah Green about Terrain.

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Orly Genger: Whole
0:00:35
Here's a video of the artwork that was installed after Terrain in the same location.

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Julianne Swartz's Open
0:00:46
Check out a video of another Julianne Swartz piece, Open. This video is found at her website, julianneswartz.com, where she has loads of content.

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Can You Hear Me?
0:01:03
Seriously, check out julianneswartz.com

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Learn more about the Indianapolis Museum of Art
0:01:26
By visiting their homepage.

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Julianne Swartz is known for her sculptural installations that subvert traditional social conceptions of space. Her sculptures often embody metaphors for tender communication, the fragility of the body and the vulnerability and potency of the human heart. Swartz's piece, Terrain, features a colorful web of 12 channels of sound. Utilizing hundreds of speakers to emit hushed whispers, the piece emanates sounds reminiscent of blowing leaves or a gentle wind. Swartz asked multiple subjects to think of someone that he or she felt tenderness for, and to say what he or she would whisper in that person's ear. Swartz has woven these comments so that visitors will hear abstract, yet discernable moments of conversation, but will not be able to follow each comment in its entirety.

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00:00:00 My name is Julianne Swartz, and the title of my piece is Terrain.

00:00:04 [Whispering]

00:00:17 The piece, really, is negotiated by the movement of your body. It's all happening overhead and you negotiate it by the path you walk.

00:00:30 The room has quite a bit of echo.

00:00:36 So I thought about kind of capitalizing on that aspect and almost making like ghosts in the room.

00:00:44 I asked the volunteers to record for this.

00:00:49 I asked them to hum in a certain way... [Humming] ...to let that tone lead them into

00:00:59 a song from their memory.

00:01:05 I asked them to imagine someone that they felt tenderness for and whisper as though they were speaking into that person's ear.