Carrie Mae Weems: Season 5 Preview (October 2009)

What does Weems have to say about the idea of compassion?

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On the subject of compassion in art, Weems says about her own life and process (in the forthcoming Art21 Season 5 book):

"There are ideas about compassion—what you sacrifice for compassion, what you give up, what you choose not to live with so that you can express that. But we all sacrifice something for our compassion in some way. We're giving up something so that something else larger can happen, so that something bigger than you can take place. Sometimes we sacrifice our families. Sometimes we sacrifice other levels of interpersonal communication so that we have that larger relationship with questions that move and shape the world.

And so (and I don't think that I'm being naïve or sentimental or dramatic about it) I think that I've sacrificed an enormous amount of interpersonal comfort to pursue aspects of compassion, to pursue them, to look at them and to say, "Yes, I will step up to this. I want this too. And if I want this in this time, in this moment, then certain things have to be sacrificed (because I don't know how to do it all)." Sometimes you sacrifice too much. You find yourself out on a limb and not knowing really quite how to get back down the tree. But it's the space that you're in because you have taken the risk. I'm not unaware of the sacrifices and, at times, whom your compassion hurts. It's not all moving in one direction. It's complicated, as the work is complicated."

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Where can I catch up on past seasons of Art21?
0:00:03
Past seasons of the Art:21—Art in the Twenty-First Century television series can be found on Hulu, on DVD from PBS and Amazon, through iTunes, and from Netflix
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What does Weems have to say about the idea of compassion?
0:00:31
On the subject of compassion in art, Weems says about her own life and process (in the forthcoming Art21 Season 5 book):

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Learn more about daguerreotypes
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A series of videos by The Getty: "The daguerreotype is a one-of-a-kind, highly detailed photographic image on a polished copper plate coated with silver. It was the first popular photographic medium and enjoyed great success when it was introduced in 1839. Although primarily a nineteenth-century medium involving a painstaking process, daguerreotypy is still practiced today by an active—and avid—group of devotees."

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Explore Weems's From Here I Saw What Happened (And I Cried)
0:00:42
In MoMA's collection: "On the occasion of an exhibition of African Americans in early photography, Weems was invited by The J. Paul Getty Museum to comb through their photography collection. She selected nineteenth- and twentieth- century photographs of black men and women, from the time they were forced into slavery in the United States to the present, then rephotographed the pictures, enlarged them, and toned them in red...."

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What happens in Weems's segment in Compassion?
0:00:52
“Narrative and storytelling is in the blood,” declares Carrie Mae Weems, taking the viewer on a personal journey through her first major photo-documentary series—Family Pictures and Stories (1978-84)—while recounting childhood experiences of racial discrimination.

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Where can I see more of her work before the October premiere?
0:01:11
Carrie Mae Weems is represented by Jack Shainman Gallery in New York, and by Gallery Paule Anglim in San Francisco.

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This video is excerpted from the Season 5 episode Compassion premiering on Wednesday, October 7, 2009 at 10pm (ET) on PBS (check local listings).

Compassion features three artists—William Kentridge, Doris Salcedo, and Carrie Mae Weems—whose works explore conscience and the possibility of understanding and reconciling past and present, while exposing injustice and expressing tolerance for others.

Carrie Mae Weems was born in Portland, Oregon, in 1953; she lives and works in Syracuse, New York. With the pitch and timbre of an accomplished storyteller, Carrie Mae Weems uses colloquial forms—jokes, songs, rebukes—in photographic series that scrutinize subjectivity and expose pernicious stereotypes. Weems’s vibrant explorations of photography, video, and verse breathe new life into traditional narrative forms—social documentary, tableaux, self-portrait, and oral history. Eliciting epic contexts from individually framed moments, Weems debunks racist and sexist labels, examines the relationship between power and aesthetics, and uses personal biography to articulate broader truths. Whether adapting or appropriating archival images, restaging famous news photographs, or creating altogether new scenes, she traces an indirect history of the depiction of African Americans for more than a century.

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