Chemical Imaging of Works of Art at the Macro Scale: Visualization of Multimodal and Topographic Imagery Chemical Imaging of Works of Art at the Macro Scale: RIS Applications from Paintings to Frescos Chemical Imaging of Works of Art at the Macro Scale: Mid-infrared Reflectance Imaging Spectroscopy Showing 76 - 90 of 236 International Image Interoperability Framework: Sharing Images of Global Cultural Heritage: Closing Remarks National Gallery of Art, Washington Views: 836 Conversations with Artists: Mark Ruwedel National Gallery of Art, Washington Views: 1026 Gustave Caillebotte: The Painter’s Eye National Gallery of Art, Washington Views: 1059 Conversations with Artists: Vera Lutter National Gallery of Art, Washington Views: 988 George Bellows National Gallery of Art, Washington Views: 998 The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 5: The Laboratory of Brussels, 1816–1819: The Apprentice Navez and the Master David Redraw the Language of Art National Gallery of Art, Washington Views: 538 Vasari's Lives of Piero di Cosimo and the Limits of a Teleological System National Gallery of Art, Washington Views: 616 Gauguin: Maker of Myth National Gallery of Art, Washington Views: 3159 The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 6: Redemption in Rome and Paris, 1818–1820: Ingres Revives the Chivalric while Géricault Recovers the Dispossessed National Gallery of Art, Washington Views: 714 American Journeys: Visions of Place National Gallery of Art, Washington Views: 683 Drawing in Silver and Gold: Leonardo to Jasper Johns National Gallery of Art, Washington Views: 667 The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 4: The Religion of Ancient Art from London to Paris to Rome, 1815–1819: Canova and Lawrence Replenish Papal Splendor National Gallery of Art, Washington Views: 642 Wyeth Lecture in American Art: Reversing American Art National Gallery of Art, Washington Views: 754 Printing John Cage’s "Eninka 29," 1986 National Gallery of Art, Washington Views: 595 Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820: Part 3 of 6 Cut Loose, 1815‒1817: Napoleon Returns, David Crosses Borders, and Géricault Wanders Outcast Rome National Gallery of Art, Washington Views: 683 Pages« first‹ previous…2345678910…next ›last » The National Gallery of Art preserves, collects, exhibits, and fosters understanding of works of art at the highest possible museum and scholarly standards. Find ngadc on https://twitter.com/ngadc https://www.facebook.com/nationalgalleryofart Related Topics People van Gogh, Vincent (28) Goya, Francisco (13) Rubens, Peter Paul (10) Medium Painting (519) Sculpture (424) Photography (200) Period and Style Contemporary Art (1446) Portraits (125) Modern Art (97) Theme Materials and Process (621) Being an Artist (284) Objects (277) Location North America (541) Europe (315) United States (286) Museum Practice Conservation (59) Collecting Art (37) Conservation Science (36) Video Type Lectures and Talks (285) Behind the Scenes (131) For Kids (65) ngadc Series Chemical Imaging of Works of Art at the Macro Scale (11) Collection HIghlights-American Sign Language (ASL) (26) New Projects in Digital Art History (7) International Image Interoperability Framework: Sharing Images of Global Cultural Heritage (13) The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe (6) The Collecting of African American Art (1) The Sixtieth A. W. Mellon Lectures in the Fine Arts (8) The Sixty-Second A. W. Mellon Lectures in the Fine Arts (5) The Dutch Cabinet Galleries at the National Gallery of Art (7) Wyeth Lecture in American Art (7) Diamonstein-Spielvogel Lecture Series (7) Vermeer: Master of Light (5) Empire of the Eye: The Magic of Illusion (7)