Magdalena Suarez Frimkess and Michael Frimkess began working together shortly after they met in 1963. Initially a collaboration of convenience which they saw as a way to fund their respective practices, their collaboration evolved into the more ambitious and realized work they produce today. Working in different corners of the studio, Michael obsessively pursues the art of throwing traditional pottery while Magdalena paints the surfaces of the pots with her elaborate glazed compositions. Their fifty-year collaboration constitutes a compelling body of work that snags itself on many genres—pottery, outsider art, mythology, pop—all of which fail to quantify its beautiful urgency and unique renewal of the ceramic tradition.