Ellen Gallagher: Master Printer Craig Zammiello

Printmaking Process

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Learn more about the printmaking process of aquatint or how to make a print through this interactive demo (MoMA).

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Art21 first featured artist Ellen Gallagher in 2005
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Watch the original & uncut 13 minute film online! (via Hulu)

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Own Season 3 Today: DVD or iTunes
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Ellen Gallagher is featured in the Art21 episode "Play" along with fellow artists Arturo Herrera, Oliver Herring, and Jessica Stockholder. The Season 3 DVD features 4 episodes, 18 artists, and is available from PBS and Amazon.

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Printmaking Process
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Learn more about the printmaking process of aquatint or how to make a print through this interactive demo (MoMA).

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Two Palms Press
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Craig Zammiello is a Master Intaglio Printer at Two Palms Press in New York. Founded in 1994 by David Lasry, the press publishes and produces prints and other works in collaboration with artists. In addition to Ellen Gallagher, Two Palms Press has helped fellow Art21 artists Kiki Smith, Matthew Ritchie, and Jessica Stockholder realize projects.

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"DeLuxe" (2004-05)
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Learn more about the work in the Tate Collection:

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Source Imagery
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Much of the source imagery for "Deluxe" originates from vintage popular magazines such as "Ebony," "Sepia," and "Our World." Beyond adapting the magazine pages for her own devices, such as this portrait of musician Isaac Hayes, Gallagher explains that part of her attraction to the material is its political potential:

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Master Printer
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Learn what it takes to become a "master printer" at the Tamarind Institute in New Mexico.

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Master Printer Craig Zammiello and artist Ellen Gallagher discuss their working relationship during the process of creating "DeLuxe" (2004-05), a suite of 60 individual works employing both traditional and non-traditional printmaking techniques.

Repetition and revision are central to Ellen Gallagher’s treatment of advertisements appropriated from popular magazines. Initially, Gallagher was drawn to the wig advertisements because of their grid-like structure. Later she realized that it was the accompanying language that attracted her, and she began to bring these ‘narratives’ into her paintings—making them function through the characters of the advertisements as a kind of chart of lost worlds. Upon closer inspection, googly eyes, reconfigured wigs, tongues, and lips of minstrel caricatures multiply in detail. Although her work has often been interpreted as an examination of race, Gallagher also suggests a more formal reading- from afar the work appears abstract and minimal, and employs grids as both structure and metaphors for experience.

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Catherine Tatge. Camera & Sound: Mead Hunt and Mark Mandler. Editor: Mary Ann Toman. Artwork Courtesy: Ellen Gallagher. Special Thanks: Craig Zammiello of Two Palms Press, New York.

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